Useful links:
TT Runs PDF Type Specimen
TT Runs graphic presentation at Behance
Looking for a custom version of TT Runs?
The TT Runs project started with a fairly simple idea—to create a wide modern sans-serif, which will reflect the sporty style and look good on sportswear. Before proceeding to sketching, we examined the theme of Olympic venues and their identities, and also traced the evolution of “sports” typefaces through different eras and continents.
In the end, we came up with the idea of making a typeface that is targeted for application to elastic sports outfits or casual sportswear. This decision has greatly influenced the appearance of the wide and slightly stretched proportions in our typeface, the appearance of the reversed contrast of the shape of some characters relative to the vertical line and their deformation, and the overall plasticity of the letters.
TT Runs is very versatile: on the one hand, it is a regular sans-serif that can be used even in a large text array, and on the other hand, it is a bright display typeface with irregular proportions of characters that looks great even in large headings.
A striking feature of the typeface is the difference between the top and bottom, the so-called inverse contrast of the shape relative to the vertical line, which is especially noticeable in uppercase characters (for example, in the letters K, C, S, R). In lowercase characters, everything is calmer and more traditional, the reverse contrast of the forms relative to the vertical line is greatly softened and almost invisible.
The main visual features of the typeface also include a large vertical height of lowercase characters. Moreover, the bolder the weight of the style, the taller the height of the lowercase character becomes. In addition, when the DemiBold weight is reached, the design of some characters changes, for example, a vertical stroke in bold for characters with a dot at the top bends into an arc.
TT Runs consist of 20 styles: 9 upright & 9 obliques, plus 2 variable fonts, each of which includes 739 glyphs. In addition to the broad language coverage in the typeface, you can find a bunch of useful OpenType features. Stylistic alternates, standard and discretionary ligatures, old-style figures, numbers in circles, arrows and much more. Full OpenType list of features: ordn, case, frac, sinf, sups, numr, dnom, onum, tnum, pnum, lnum, dlig, liga, calt, locl, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ccmp, subs.
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January 07, 2020
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Civic Triline was inspired by a beautifully lucid (and hand lettered) example of municipal signage. It is a clear and easy to read sans serif display face, constructed of one thick and two thin lines. Civic Triline is an ideal typeface for making stylish signage or lettering posters with a modern yet distinctive look.
Download Lovebeat Fonts Family From Anita Jürgeleit
Looking for an awesome Valentine's Day font, wedding font or baby shower font for your advertising or love logo? Lovebeat is the perfect font to celebrate the important feelings of your heart in advertising and web design, packaging and poster design.
Lovebeat lets your typography truly feel the heartbeats. The typeface contains a broad latin language support as well as extended numerals and fractions.
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Oily Brush is the mix of funny, communicative, comic and sketchy directions. The font ist perfect in use with the food, doodle or the cartoon themes and has the small nuance from the oil-painting.
This script designed to be informal, casual and easy in the perception and includes confidently positive emotions.
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Download Roman Morrissey Fonts Family From madeDeduk
January 07, 2020
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Roman Morrissey is a handwritten brush script. This font is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, quote designs, and more.
Feature:
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If you need anything else please contact me by dedukvic@gmail.com
Download New Yorker Type Classic Fonts Family From Wiescher Design
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, maybe the best.
In the next step I repaired some of the mistakes that I made more than thirty years ago.
Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick.
Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher
Download New Yorker Type Pro Fonts Family From Wiescher Design
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, maybe the best.
In the next step I repaired some of the mistakes that I made more than thirty years ago.
Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick.
Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher
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